Images, Idolatry and Iconoclasm: Late Medieval to Early Modern (ENGLISH 201)

Images, Idolatry and Iconoclasm: Late Medieval to Early Modern (ENGLISH 201)

Spring 2022 | Harvard University
Fear of idolatry is a recurrent feature of Western culture. The Christian image threatens to short-circuit the flow of spirituality between humans and God, just as images of the ancient, pagan gods threaten dangerously to preserve the energies of those lascivious and vengeful deities. And images, whether secular or religious, are always potentially threatening to literate culture: they compete with words, and seem to possess a much more immediate power to mesmerize the imagination. The Protestant Reformation in particular targeted images as the enemy to a true religion of the Word. Legislation in England determined the wholesale destruction of religious images (iconoclasm) between 1538 and 1644. On the other hand, many writers and artists, both secular and religious, look to the image for salvation of sorts. Guided by these perceptions, we will be looking to a range of pre- and post-Reformation texts and contexts. The course will be equally divided between late medieval and early modern texts. Students without Middle English should feel entirely at ease to take this course: all texts will be presented in reader-friendly editions.

General

Reading and Seminar Notes

Week 1, Seminar 1 (24 January): Introduction

Week 2, Seminar 2 (31 January): Iconoclasm, the Psyche and the Revolution

 
Readings
Homily against the Peril of Idolatry (1683 edition, originally published 1563), Part 1 (pp. 105–114) and Part 3 (pp. 132–169).
Spenser, E. (1596) The Faerie Queene, Book 2, Canto 12.
Greville, F. (c. 1609) “The Manichaeans did no idols make”; “In night when colours all to black are cast.”

Week 3, Seminar 3 (7 February): The Pre-Reformation Image 1: Moving Images and Divinity

 
Readings
Julian of Norwich (c. 1395) Showings, Long Text, Part 1.1–9.
Anonymous (14th c.) The Book of Privy Counseling. (posted)
Kempe, M. (c. 1438) The Book of Margery Kempe, Book 1.11.79.
Dante Alighieri (1321) Paradiso, Canto 33.

Week 4, Seminar 4 (14 February): The Pre-Reformation Image 2: Moving Images and Sexual Desire

 
Readings
Ovid (8 CE) “Echo and Narcissus,” in Metamorphoses, Book 3, lines 339–510. (posted)
Guillaume de Lorris & Jean de Meun (c. 1230–1280) The Romance of the Rose, lines 1–4058 (Guillaume de Lorris’s section).
Gower, J. (c. 1390) Confessio Amantis, “Pygmaleon and his Statue,” Book 4, lines 371–450.

Week 6, Seminar 5 (28 February): The Pre-Reformation Image 3: Moving Images and Grief

 
Readings
Virgil (19 BCE) Aeneid, Book 1, lines 418–519. (any edition)
Chaucer, G. (c. 1369) Book of the Duchess.
Chaucer, G. (c. 1379) House of Fame, Book 1.

Week 7, Seminar 6 (7 March): The Pre-Reformation Image 4: Images and the Polytheistic Gods

 
Readings
Augustine (c. 426) The City of God, Book 4.8–10, 4.30–31; Book 7.18.
Parys, W. (15th c.) “Life of Saint Christina.”
Chaucer, G. (c. 1387–1400) The Knight’s Tale.
Lydgate, J. (c. 1420) Troy Book, Book 2, lines 5392–5940 (pagan idols section).

Week 9, Seminar 7 (21 March): The Pre-Reformation Image 5: The Image and Social Media

 
Readings
Hoccleve, T. (c. 1421) Series: “Complaint," “Dialogue with a Friend,” “Lerne to Dye.”
Hoccleve, T. (c. 1411) Regement of Princes, lines 4964–5019 (portrait of Chaucer).

Week 10, Seminar 8 (28 March): Pre-Reformation Idolatries

 
Readings
Chaucer, G. (c. 1387–1400) General Prologue, Pardoner portrait.
Chaucer, G. (c. 1387–1400) The Pardoner’s Tale.

Week 11, Seminar 9 (4 April): Responding to Iconoclasm: Still Life in the Art Gallery

 
Readings
Spenser, E. (1596) The Faerie Queene, Book 2, Canto 9.
Shakespeare, W. (1611) The Winter’s Tale, Act 5.

Week 12, Seminar 10 (11 April): A Final Iconoclastic Push

 
Readings
Milton, J. (1629) Nativity Ode
Milton, J. (1649) Eikonoklastes, excerpt.
Milton, J. (1671) Samson Agonistes
 

Mid-Term and Final Papers