Spring 2022 | Harvard University
Fear of idolatry is a recurrent feature of Western culture. The Christian image threatens to short-circuit the flow of spirituality between humans and God, just as images of the ancient, pagan gods threaten dangerously to preserve the energies of those lascivious and vengeful deities. And images, whether secular or religious, are always potentially threatening to literate culture: they compete with words, and seem to possess a much more immediate power to mesmerize the imagination. The Protestant Reformation in particular targeted images as the enemy to a true religion of the Word. Legislation in England determined the wholesale destruction of religious images (iconoclasm) between 1538 and 1644. On the other hand, many writers and artists, both secular and religious, look to the image for salvation of sorts. Guided by these perceptions, we will be looking to a range of pre- and post-Reformation texts and contexts. The course will be equally divided between late medieval and early modern texts. Students without Middle English should feel entirely at ease to take this course: all texts will be presented in reader-friendly editions.
General
Reading and Seminar Notes
Week 1, Seminar 1 (24 January): Introduction
Week 2, Seminar 2 (31 January): Iconoclasm, the Psyche and the Revolution
Readings
Homily against the Peril of Idolatry (1683 edition, originally published 1563), Part 1 (pp. 105–114) and Part 3 (pp. 132–169).
Spenser, E. (1596) The Faerie Queene, Book 2, Canto 12.
Greville, F. (c. 1609) “The Manichaeans did no idols make”; “In night when colours all to black are cast.”
Week 3, Seminar 3 (7 February): The Pre-Reformation Image 1: Moving Images and Divinity
Readings
Julian of Norwich (c. 1395) Showings, Long Text, Part 1.1–9.
Anonymous (14th c.) The Book of Privy Counseling. (posted)
Kempe, M. (c. 1438) The Book of Margery Kempe, Book 1.11.79.
Love, N. (c. 1410) Mirror of the Blessed Life of Jesus Christ.
Week 4, Seminar 4 (14 February): The Pre-Reformation Image 2: Moving Images and Sexual Desire
Readings
Guillaume de Lorris & Jean de Meun (c. 1230–1280) The Romance of the Rose, lines 1–4058 (Guillaume de Lorris’s section).
Gower, J. (c. 1390) Confessio Amantis, “Pygmaleon and his Statue,” Book 4, lines 371–450.
Week 6, Seminar 5 (28 February): The Pre-Reformation Image 3: Moving Images and Grief
Readings
Chaucer, G. (c. 1369) Book of the Duchess.
Chaucer, G. (c. 1379) House of Fame, Book 1.
Week 7, Seminar 6 (7 March): The Pre-Reformation Image 4: Images and the Polytheistic Gods
Readings
Augustine (c. 426) The City of God, Book 4.8–10, 4.30–31; Book 7.18.
Parys, W. (15th c.) “Life of Saint Christina.”
Chaucer, G. (c. 1387–1400) The Knight’s Tale.
Week 9, Seminar 7 (21 March): The Pre-Reformation Image 5: The Image and Social Media
Readings
Hoccleve, T. (c. 1421) Series: “Complaint," “Dialogue with a Friend,” “Lerne to Dye.”
Hoccleve, T. (c. 1411) Regement of Princes, lines 4964–5019 (portrait of Chaucer).
Week 10, Seminar 8 (28 March): Pre-Reformation Idolatries
Readings
Chaucer, G. (c. 1387–1400) General Prologue, Pardoner portrait.
Chaucer, G. (c. 1387–1400) The Pardoner’s Tale.
Anonymous (15th c.) The Croxton Play of the Sacrament.
Week 11, Seminar 9 (4 April): Responding to Iconoclasm: Still Life in the Art Gallery
Readings
Spenser, E. (1596) The Faerie Queene, Book 2, Canto 9.
Shakespeare, W. (1611) The Winter’s Tale, Act 5.
Week 12, Seminar 10 (11 April): A Final Iconoclastic Push
Readings
Milton, J. (1629) Nativity Ode
Milton, J. (1649) Eikonoklastes, excerpt.
Milton, J. (1671) Samson Agonistes