Feminist Futures: Contemporary S. F. by Women (GSS 303 / AMS 313/ ENG 283)

Feminist Futures: Contemporary S. F. by Women (GSS 303 / AMS 313/ ENG 283)

Spring 2024 | Princeton University
Feminist Futures explores the way in which recent writers have transformed science fiction into speculative fiction – an innovative literary form capable of introducing and exploring new kinds of feminist, queer, and multi-cultural perspectives. These books confront the limitations imposed on women and imagine transformative possibilities for thinking about gender roles and relationships, the body, forms of power, and political and social structures.

General



Reading List

[\c] Suzanne Collins, The Hunger Games
[\c] Ann and Jeff Vandermeer, eds., Sisters of the Revolution
[\c] Justina Ireland, Dread Nation
[\c] Charlie Jane Anders, All the Birds in the Sky
[\c] Octavia Butler, Bloodchild and Other Stories
[\c] Ling Ma, Severance
[\c] Rivers Solomon, An Unkindness of Ghosts
[\c] Chitra Divakaruni, The Palace of Illusions
[\c] Naomi Alderman, The Power
 

Schedule

February 1: Introduction and Overview

[\c] Suzanne Collins, The Hunger Games

February 8

[\c] Selections from Ann and Jeff Vandermeer, eds., Sisters of the Revolution
[\o] Eleanor Arnason, “The Grammarian’s Five Daughters,” 41–49
James Tiptree, Jr., “The Screwfly Solution,” 83–101
[\o] Joanna Russ, “When It Changed,” 195–202
Susan Palwick, “Gestella,” 215–234
[\o] Catherynne M. Valente, “Thirteen Ways of Looking at Space/Time,” 315–326
Eileen Gunn, “Stable Strategies for Middle Management,” 249–260
Pamela Sargent, “Fears,” 299–307

February 15

[\c] Justina Ireland, Dread Nation

February 22

[\c] Charlie Jane Anders, All the Birds in the Sky

February 29

[\c] Octavia Butler, Bloodchild and Other Stories
Read the following stories and Butler’s background explanation of how she came to write them:

March 7

[\c] Ling Ma, Severance

March 28

[\c] Rivers Solomon, An Unkindness of Ghosts

April 4

[\c] Chitra Divakaruni, The Palace of Illusions

April 11

April 18

[\c] Naomi Alderman, The Power

April 25